Showing posts with label Creative Development. Show all posts
Showing posts with label Creative Development. Show all posts

Monday, March 7, 2011

Frankenstein's Adman

Notice anything odd abut these ads?


You might be tempted to simply say, "they're crappy", but they all share a diabolical secret: They were created by a machine.

And that monstrous machine was the creation not of some mad scientist, but of a Creative Director. Stéphane Xiberras, to be exact, the Exec CD at BETC EURO RSCG Paris.

Image from Shift Disturbers.


The Drum today posted an interview with Xiberras about his computerized creative generator, CAI:

"What started out as an intellectual game became more and more alarming as we progressed in the development of our robot," said Xiberras. "We expected to create a clumsy rather grotesque machine that would be systematically way off the mark, in a comical way.

"Unfortunately, this is not the case. CAI produces something that is caricature, but that very often by some random diabolical grace, reminds us of an ad we have already seen on a street corner or on the page of a magazine.

"CAI creates something that resembles advertising, but that fundamentally isn't, in the sense that it lacks essential qualities: novelty, inventiveness and the unexpected. In short, anything that only a human being is capable of producing. CAI is a fascinating but dangerous machine because it synthesises the nemesis of our creative profession: standardised or formatted thinking, call it what you want."

"Faith in the fact that creativity sells, and the courage to defend creativity against idiotic formatting no matter what, are the only arms that can still protect us against CAI. To surprise, to innovate, to invent is what we owe our clients and what they have the absolute right to demand from us.
"

In other words, Xiberras built this monster so that creatives would have an enemy to fight against. The Drum also challenged flesh-and-blood UK creatives to pitch against the computer's algorithmic concepts on the same brief. The results are intriguing.

CAI's Harley Davidson concept

McCann Erikson Central's version. See more at The Drum.

What's interesting to me about CAI's ads is that the strategic insights are fairly solid. And that's 90% of what makes an campaign succeed. But that missing 10% — the subtleties of language, the refinements of art direction, and even the hip cultural references — is what actually makes an ad get inside someone's head and stay there.

Thank God that hasn't been automated. Yet.

Tuesday, January 5, 2010

The Agency of the Future



I've been daydreaming lately about what the future of my industry will look like.

Speculation is always laughable when you look back at it, but when you're looking forward it's still fun to imagine: What will the ad agency of 2020 be?

This is particularly interesting to me, because I think the seeds of the new species were planted more than 10 years ago, when stories started circulating about agencies abandoning the office structure for a virtual workplace of cell phones, laptops, and video conferencing. (My boss at the time, Bob Corrall at The Bytown Group, was seriously considering following suit.)

It didn't happen. But I don't think it's because the concept was wrong. Rather, the time was. Technology has a habit of outpacing people's ability to absorb change. People then (and to a large extent, now) still favoured face-to-face meetings over naked text or voice — or even the weird delays and wandering eyes of primitive Internet video conferencing.

Fast-forward to the new, and the fundamentals of the technology haven't changed – only improved. The real revolution has been a cultural one, as older people now cling to their PDAs as they once did to their cigarettes, and younger people live in a world where text messaging someone sitting next to you is not considered odd.

So, why do we still come to the office? Well, telecommuting is steadily rising where permitted. But once again cultural change moves slowly. Business owners like to see their workers at work. And I have to admit that there are some situations — like strategic or creative brainstorming — where you really need human interaction to be efficient.

So my vision of the agency of the future is less office, and more meeting place. It's where teams agree to get together to hash out ideas, and where the ideas get presented to clients. But deskwork? I think it will be for the home office.

And who will do this work? With the decline of massive mainstream media channels, traditional advertising is seen to be failing. I don't believe advertising is dead at all. It just needs to keep up.

For over 50 years, advertising has been driven by massive spending on mass media. The old rule of thumb for ad budgets is 20% for creative and production versus 80% for the media buy. You needed it if you were even going to be seen in primetime.

Well, it's time to think differently. Not only online and social media, but also the million-channel universe, video on demand and timeshifting, have made audiences much harder to find. To borrow a colleague's metaphor for attempted Facebook hookups, it's gone from machine-gunning a message to sharpshooting it.

Sure, there are still media placements to be bought, but they'll be way more targetted and economical — smart online ads and specialty media. What will be needed instead is a big investment in research, strategy, content and a good blend of paid/earned media planning... with maybe 20% left over for actually buying space.

Media departments will change. I see them becoming a hybrid of market research, media planning, and public/media relations. The emphasis will be on defining, finding, and reaching highly-targeted groups, rather than making massive buys. They do the intellectual legwork now. They just need to get paid what it's really worth, since commissions will dry up.

The good news for creatives is that when you have to earn people's attention (rather than buying it) great ideas will still win out. But rather than the old-school Copywriter/Art Director team, I see the next generation of Creatives being more like a sitcom writing team with the ability to design, lay out, and code their own work. Ad schools are already turning out multidisciplinarian graduates. Once we old folk can embrace a blurring of creative and executional roles, the world will be theirs.

I also see these future teams as independent units, maybe even contractors or hired guns. Right now, many teams specialize in specific brands or industries, as do agencies. I see these future teams specializing in target markets, able to speak to them credibly on any subject, and work for any agency or brand. They could be located anywhere, but would have to share a meta-culture with the audience. And agewise, probably a few years older than them so that they are insightful yet self-aware and capable of cultural leadership. (My anecdote on this is always that The Beatles were not technically Baby Boomers, but U2 are.)

Understanding of the brands and industries will be the job of Client Services, as always. But I see them being much more in the role of a Producer in the TV broadcast world, setting the course, lining up the players, performing project management miracles, and internalizing the creative product that they can present it to clients and defend it as their own. (This is a big part of my virtual office, which would mean Client Services people could operate independently in major markets for face-to-face meetings, and deal remotely with far-flung Creative Teams.)

Will this all happen? And when? I have no idea. But things have to change. This isn't all about social media, either. Media come and go, and the ones that work just work. I was reminded of this as I walked to Acart this morning — rather than driving a flying car or being sucked through a pneumatic tube — and saw rows of one of the oldest ad media, hoarding posters, catching my attention the way they always will.



Technology doesn't change us. It just opens up opportunities. It's up to us to take advantages of the right ones — at the right time, and in the right place.

Friday, November 27, 2009

"What does a Creative Director do?"

A few months ago, I was getting ready for a meeting while an A/V guy was setting up our new system. We got to chatting, and immediately recognized each other as fellow smartasses. He was asking me about my job, and it came down to "so you just sit around and tell everyone else what to do, eh?"

Turned out he had to keep working through our meeting, which was a large creative brainstorm on a new brand for a government program. I ran the meeting, solicited ideas, gave direction, pushed people for more thought, and bent, spindled and mutilated the results until we had three strong conceptual approaches.

The meeting ended and I asked the guy, "now do you get what I do?" He did.

I know there are a lot of advertising students reading this blog now, so this post is for them. I get a lot of people calling me and telling me they're interested in Creative Direction. I often get the impression that they think it's just like this:



Besides the fact that there's a lot less smoking, infidelity and on-the-job drinking in the real world than on TV (well, less smoking and infidelity anyway...) Creative Direction in a 45-person Ottawa agency bears little resemblance to the glamour of the golden age.

So, for all those keeners who have asked me what being a CD is like, here are my "to do" lists from this week:


Monday
- Studio Managers' meeting: planning for the week's expected workload. By noon, everything will have been changed, delayed or have had its deadlines greatly accelerated.
- TV concept presentation to federal clients.
- Brief on client Xmas e-card.
- Blog about our foster parenting campaign


Tuesday


- Internal meeting on new transit campaign.
- Prepare pitch materials on another campaign.
- Review updated banner ads.
- Meet again on Xmas card.
- Write partnership prospecting letter for client.
- Secure freelance francophone Creative partner for another project.
- Review brochure copy.
- Review super treatment for TV ad.
- Review more banner revisions.
- Review voices for TV voiceover re-record.
- Blog about Facebook ads.

Wednesday
- Get interviewed by Ryerson Student Radio on Social Marketing
- Brief on new social media opportunity
- Re-present TV concepts to federal clients' boss. Major changes required.
- Direct voiceover re-record for another TV ad, over-the-phone, to Montreal studio
.
Thursday
- Provide last-minute creative direction for Xmas card
- Check in with French creative partner
- Drive to Kingston for campaign wrap-up-lunch with St. Lawrence College (note: if you're ever in Kingston, I highly recommend Chez Piggy.)
- Drive back to Ottawa.
- Deal with several major crises that developed while I was away.
- Review and approve new voiceover for one TV offline, and new music for that one and another.
- Overnight: review and rewrite presentation for Friday pitch.

Friday
- Review, direct French creative.
- Direct English adaptation of same.
- Develop social media plan for new prospect.
- Finalize pitch deck.
- Blog about this. (How meta!)
- Rehearse pitch.
- Do pitch.
- Present new French creative (and English adaptation) to client.
- Present Xmas card to client.
- Go home for pizza & wine with the fam.


I've barely touched on evening and weekend work, or the fact that last week included four 12-hour TV shoot and post-production days in Montreal.

So, my keen young CD wannabes, I present to you the awesome reality of the job:



By the way, the moustache will be gone by next Tuesday. So if you want to help me kick cancer's ass, please donate to my Movember page at http://ca.movember.com/mospace/348858