Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

Monday, April 27, 2015

This organic tomato sauce may or may not contain severed head



My friend Gord sent me a link from Good that points out a pretty hilarious packaging gaffe. Or is it?

Tropical Traditions, originally a coconut oil importer in the US, has branched out into organic packaged foods. One of them is an Italian pasta sauce line, with labels showing women from Renaissance Italian paintings.

Organic Spicy Tomato & Roasted Garlic, for example, features Botticelli's The Birth of Venus, but without the breasts:






Organic Tomato & Basil uses Raphael's Woman with the Veil:








Organic Tomato and Grilled Eggplant gets one of my favourite portraits, Lady with an Ermine by Leonardo:





OK, the weasel is a little weird for a food label. (Assuming the sauce doesn't have much weasel in it.) 

But let's move on to the final jar, Organic Tomato & Porcini Mushroom:




What is with that woman's face, anyway? She doesn't look too impressed. Perhaps we should have a look at the uncropped painting, which is Caravaggio's... Judith Beheading Holofernes?!?




That's right, it's a decapitation. In the apocryphal Book of Judith, the eponymous heroine is a righteous Hebrew who saves Israel by talking her way into the tent of Assyrian general Holofernes, then hacking off his head after he passes out drunk. Since Christians love them a good grisly death, this scene has been portrayed by several artists over the centuries.

But why choose it for a food label? Especially a food that itself kind of resembles gore?

There is no way the designer was unaware of the painting's context, as she or he would have had to research a public domain version of the whole work from which to crop the label.

In fact, I believe what we are seeing here is a clever little prank. A designer who counted on his or her client to be ignorant of the source material. The Botticelli and Leonardo portraits are well-known enough that they probably sold the idea of using Renaissance Italian paintings of women to give the sauces a note of "old-world authenticity." But a severed head, spouting arterial blood, is probably one of the last things I want to think about when I pour this on my spaghetti.

Wednesday, June 27, 2012

Your daily dose of fat-shaming design nerd humour


I've done my fair share of Ariel abuse online. But this one seems like a rather nasty bit of fat bashing.

Next up: Look for "Ariel Italic" with a plate of pasta and Sophia Loren boobs. A waifishly thin "Ariel Narrow". And I don't even want to know how the pasty young imagination of the viral internet will render "Ariel Black" — although I am not optimistic.


Update (June 28):



Mario moustache! I shoulda known...

Friday, June 15, 2012

Curl up in the fetal position inside this womb chair #FdAdFriday


Artist Freja Sewell works in both 2- and 3-dimensional space. Of this, she says, "Open plan offices and public buildings, CCTV, online profile sharing, cameras built into our laptops; never has it been easier for humans to connect, but what about when we want to withdraw? The ‘womb’ shape inspires very different feelings in different people; to me it is a warm, cosy space, for contemplation and rest."


Looks comfortable. But I think I'd need psychoanalysis after napping in that.

Imaged copyright Freja Sewell. Tip via Jezebel.

Tuesday, May 22, 2012

Sibling rivalry: Identical twin ADs square off on beer label design contest

Duelling Wantucks at the National Art Gallery
Okay, so this is fun.

My good friends Tim Wantuck and Daryn Wantuck are identical twins. And they don't just have looks in common — they're both accomplished designers, illustrators and art directors at Ottawa agency The Bytown Group. And if you know them, you're already aware that they never saw a logo or packaging design contest they could walk away from.

So, predictably, when Kichesippi Beer Co. decided to crowdsource a label for its newest brew, Heller High Water, both Daryn and Tim got in on the action. And what do you know? They both made the Top 4:

Daryn's is on the right.

Tim's is on the right.
Sibling rivalry? Oh, yeah! If you'd like to weigh in on either twin's design, or even vote for one of the other, non monozygotic-clone-designed, ones, go to the Kichesippi Beer page and "Like" your favourite(s) to vote them up.

Wednesday, March 7, 2012

Creating an international symbol for homebirth

Emma Kwasnica, the now-famous breastfeeding activist, shared this interesting link on Facebook.

Apparently, the Peaceful Parenting blog has been trying to crowdsource a symbol that homebirth advocates and organizations could use as an identifier. It's a good idea, since causes need symbols just like nations need flags.

A good bar has been set, both in similar cause and public acceptance, by the "you're welcome to breastfeed here" signs that are now common.



Here is an explanation of how they are doing it:
"The finalists for the International Homebirth Symbol have been chosen by a panel of birth and babies professionals and mothers alike (see panel members here). They are presented here for your vote. Graphics are drafts and may be brushed up or altered slightly for finalization. Color/shade will also be voted on publicly once the symbol is selected. All are presented here in the same shade for voting purposes only. Artists will remain anonymous to the panel and public until voting is complete. The top symbols will go on to Round Three where they will be voted on by a panel of graphic design artists."
I like that they are putting these forward as abstract symbols, without consideration for colour or perfection of execution.

In situations like these, I try to ask myself WWPAD? (What Would Paul Arthur Do?). The sadly-missed godfather of pictograms, signage and wayfinding could have really helped these folks. I briefly knew the man,  who famously decided it was a good idea to use symbols instead of "men" and "women" at Expo 67 — something we cannot today imagine a world without. (He was my S-I-L Laura's stepfather.) But since he died when I was just starting to enter the fullness of my creative career, I never got to work with him professionally. Instead, I am inspired by skimming his books and reading others' memories, like this frank critique of proposed icons for the "World Wide Web."

I am no designer — and certainly no Paul. But I would like to bring this interesting exercise to the attention of my fellow professionals.

Here are the entries:

A: I get it, but it has an unfortunate resemblance to the internet shock meme goatse man.
(If you don't know what that is, you're lucky. Here's the Wikipedia link.

B: Sweet, but says "healthy pregnancy" more than "birth" to me.

C: The addition of the partner is nice, but not inclusive.
Single women and gay women also homebirth, an the supporter is not always a partner.

D: Not bad. I like the "yoga" look and the simplicity.
I only wish the house icon were simpler.

E: Too abstract for me. Pretty sure this would fail comprehension tests.

F: A literal attempt to say "home birth". Kind of confusing.
I also associate realistic foetus silhouettes with anti-abortion causes.

G: A nice thought, but overly simplistic.
The heart as mother and child has been done before, and does not necessarily
communicate "birth".

H: As with others, this shows motherhood but could be post-partum at home.

I: Getting closer, but the shapes might not be 100% clear.

J: The "woman birthing" icon is clearer, but looks a little nuclear.
The lines in the house are superfluous.

K: The human idea is communicated well, and the style could easily be simplified.
Not sure if the window is intuitive enough (would need to be tested) but it's nice to
see something other than the obvious house icon.

L: Overly abstract, like G, but with more of a "birthing" feel.

M: An attempt to make pictograms out of "H" and "B".
Besides being really abstract, it is language exclusive,
and not international.

N: Like the breastfeeding symbol, but with umbilical cord and house added.
Might lead to confusion with the BF symbol, and cord might be too subtle
to communicate the moment of birth.

O: This says "loving nuclear family" to me, not birth.
Also has the same heteronormative issue as C.

P: A "primitive" (petroglyph-inspired) symbol that says "motherhood"
more than anything. No implication of "birth" and "home".
And no, folks, I am not being too mean. I am actually being very gentle, in Creative Director trms, because I know that these are earnest efforts by people from a variety of backgrounds.

But that's the whole problem here. Functional design, such as this, should never be croudsourced or contested. It should be developed by specialized professionals, and tested extensively in controlled market research, to make sure it is understood.

The opinions I gave above are just first reactions — the kind of advice I would give to designers at an initial creative review, to help them refine their ideas and avoid wasting time on non-starters (like M).

Since Peaceful Parenting have already committed to this selection process, they can't stop now. But if they want to stand any chance of having the result widely adopted as a recognized symbol of homebirth, I hope they will turn the results over to professionals for final design, testing, and change if needed.

Trust me, it's the right thing to do. Because when symbolic logos fail, they fail hard.

Thursday, December 1, 2011

Obscene tomatoes sell organic produce

Some are a little naughty, others might arouse an oddly-formed space mutant.

The cutline in Ads of The World says "Ad for the organics food brand Ja! Natuerlich in a special edition to mark the Vienna Design Week."

Umm... okay.

Friday, November 11, 2011

F'd Ad Fridays: Fuzzy font made of real leg hair


Here's the story:
"Twenty year old Mayuko Kanazawa, a student at Japan's Tama Art University, has created what must be the strangest font design yet - the Leg Hair Font! Inspired by a challenge from her profs at the Department of Design, and a hairy male friend that complained of leg pain, the enterprising young student was able to manipulate, twist and design the hairs into uppercase and lowercase fonts."



I guess it could have been worse. She could have aimed a little higher.

Thanks to +Marc for the tip.

Monday, October 24, 2011

Obama creating jobs by putting creatives out of work?

Adland brought to my attention a truly ironic move by US President Obama's 2012 re-election team: unpaid crowdsourcing for a new campaign promoting job growth.


From the Art Works site:

"Obama for America is seeking poster submissions from artists across the country illustrating why we support President Obama's plan to create jobs now, and why we'll re-elect him to continue fighting for jobs for the next four years.


Your poster can address the broader themes of the President's plan or pinpoint a specific aspect, from supporting small businesses to rebuilding roads and bridges for the 21st century. For more on the desired specs, read the creative brief.


We'll pick the 12 best submissions received by November 4th, 2011, then put the finalists to a vote. Three winners will receive a framed print of their poster signed by President Obama and a limited edition of their poster will be sold in the campaign store."

Here are a couple of gems from the "Creative Brief":

"You hereby represent and warrant that all equipment, materials, and facilities used to produce your poster are owned by you and were not provided by a corporation, labor union, foreign national, or federal contractor. Any disposable materials purchased specifically to produce the poster will be treated as in-kind contributions to Obama for America."

I'm sure this one is being violated repeatedly by people who cannot afford to have their own equipment outside of the office.

"All submissions will become property of Obama for America."

And for all that, here's what you win:

"Three (3) winners will receive the following prize: A framed copy of the Poster (defined below) signed by Barack Obama and all or part of the winner's Poster will be used and displayed on Sponsor's website and/or in other Sponsor advertising or promotional material (to be determined in Sponsor's sole discretion) associated with Sponsor's political advertising efforts (approximate retail value: $195)."

When a country's economy goes bad, the marketing industry — including ad and design creatives — is the canary in the coal mine. Companies in trouble tend to cut marketing budgets early on as they struggle to reduce the bleeding. Agencies lose revenue, then lay people off (or even shut their doors).

There is nothing creative professionals hate more than a paid work opportunity being given over to free crowdsourcing. The Obama campaign is well-funded, too — Adland says they have "$60 million cash on hand in campaign funding".

Creating jobs means supporting professionals who depend on a certain trade for a living. But this contest asks ll entrants to give away their work for free even if they don't get any credit for it. By undermining the value of concept and design, the Obama campaign has thumbed its nose at one of the USA's most celebrated industries.

And when you piss off creatives, you can get some very creative responses.

Friday, September 30, 2011

Monday, August 29, 2011

Lazy Photoshop at La-Z-Boy

While browsing furniture on the weekend, I happened upon this in-store ad at La-Z-Boy in Ottawa:


From enjoying countless Photoshop Disasters, I could tell immediately that something wasn't right. So I looked closer:

De agony of de-feet.
Feet crudely chopped off. Bum flattened. And a chair that is apparently stuffed with concrete.

Why do major brands continue to find such shoddy work acceptable?